danceviewtimes
writers on dancing

 

Aboriginals and Authenticity

"Bush"
Bangarra Dance Theatre
Eisenhower Theater
Kennedy Center for the Performing Arts
Washington, DC, USA
Saturday, November 6, 2004


by George Jackson
copyright © 2004 by George Jackson

Twentyeight years ago, a group of Aboriginal Australians visited Washington. This was their first travel away from the Outback. They hadn't even seen Sidney. Several of them wandered off and were lost for a while but got back in time to dance on the Ellipse. The sunset that day glowed like a huge campfire as the 17 or so figures, short and squat enough to look like a distinct species of humanity, gathered into a knot in which each individual visibly began to concentrate. It was a mental act this first step of the dance that was meant as a gift to us, their hosts. From thought arose movement that was sparse. Nothing was wasted, every shift proved to be necessary. Yet within such economy it seemed there was unlimited possibility. The seed of every dance ever trod was contained in those dry, dense motions. The sky was still burning when the visitors stopped. Their appearance became casual again, and a bus took them off to dinner. Their audience dispersed, harboring a sense of wonder. To me it felt as if we now knew the entire history of dance, past and future.

Bangarra isn't anything like that. It belongs to Western Civilization. It is modern dance theater doing a little cultural anthropology and a lot of entertaining. "Bush" is a bang up primitive show with the requisite sleek bods.

Volume 2, No. 42
November 8, 2004

Copyright ©2004 by George Jackson

 

DanceView Times

What's On This Week
Index of Reviews
Index of Writers

Back Issues
About Us
Links

Sister Sites:
DanceView
Ballet Alert! Online
Ballet Talk
Ballet Blogs

 

Writers
Mindy Aloff
Dale Brauner
Mary Cargill
Christopher Correa
Clare Croft
Nancy Dalva
Rita Felciano
Marc Haegeman
George Jackson
Gia Kourlas
Sali Ann Kriegsman
Alexander Meinertz
Tehreema Mitha
Gay Morris
Ann Murphy
Paul Parish
John Percival
Susan Reiter
Jane Simpson
Alexandra Tomalonis (Editor)
Lisa Traiger
Meital Waibsnaider

Kathrine Sorley Walker
Leigh Witchel

DanceView

 

DanceView is available by subscription ONLY. Don't miss it. It's a good read.  Black and white, 48 pages, no ads. Subscribe today!

DanceView is published quarterly (January, April, July and October) in Washington, D.C. Address all correspondence to:

DanceView
P.O. Box 34435
Washington, D.C. 20043

 

www.danceviewtimes.com
last updated on October 25, 2004