New
York City Ballet in Washington
Balanchine's
Greatest Hits
Serenade,
Apollo, Symphony in C
New York City Ballet
Kennedy Center Opera House
March 3, 2004
by
Alexandra Tomalonis
Roots
Concerto
Barocco, Prodigal Son, Tschaikovsky Piano Concerto No. 2.
New
York City Ballet
Kennedy Center Opera House
March 4, 2004
by
George Jackson
Public
and Private
Jewels
New York City Ballet
Kennedy Center Opera House
March 5, 2004
by Alexandra Tomalonis
The
Great American Dancer
Concerto
Barocco, Prodigal Son, Tschaikovsky Piano Concerto No. 2.
New
York City Ballet
Kennedy Center Opera House
March 6, 2004 (matinee)
by Alexandra Tomalonis
NYCB
in DC - Last Day & Look Back
Jewels
New
York City Ballet
Kennedy Center Opera House
March 5, 2004
by
George Jackson
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What's
On This Week
March
12, 2004
David Dorfman Dance will perform two modern dance pieces:
the world premiere of “Light Bulb Theory,” featuring a piano
score derived from pop classics, and “Impending Joy,” set
to a live electronic score, March 12. Tickets are $20 to $40.
George Mason University Center for the Arts
4400 University Dr., Fairfax; 703-993-8888; www.gmu.edu/cfa
March
13-14, 2004
ClancyWorks Dance Company
Adrienne Clancy’s choreography is not only kinetically charged and
emotionally driven, but also visually stimulating and politically empowering,
“an endless pas de deux, trois, quatre, cinq and six conjured up
in mists and shadows by [a] wizard of invention” (The Washington
Post). Clancy’s use of dynamic partnering creates a metaphor for
the building of an environment where women lift men with a similar strength
and ease. She presents an accumulation of empowering images with which
an audience comprised of an array of ages, races and classes can feel
at ease. March 13 at 8 p.m., March 14 at 4 p.m..
Dance Place
3225 8th Street, NE
Washington, DC 20017
www.danceplace.org
Mar
13 - 14, 2004
CityDance Ensemble: New Voices
Guests Rasta Thomas and Jason Hartley
The Company brings the work of some of the finest young choreographers
to the Terrace Theater. The Washington Ballet's Jason Hartley, Karen J.
Reedy of the Mark Morris Dance Group and 2003 MetroDC Dance Award-winner
Ludovic Jolivet have crafted exciting, intriguing and thought-provoking
dances which are sure to inspire audiences. They join Vladimir Angelov,
Artistic Director Paul Gordon Emerson, Jane Dudley and Adrain Bolton as
the choreographers of New Voices. Also
on the bill is the company premiere of Jane Dudley's 1938 "Harmonica
Breakdown." The most recent addition to the CityDance Legacy Series,
"Harmonica Breakdown" is a seminal work in modern dance and
a rare treat for dance audiences.
www.kennedy-center.org
A
Company Debuts
District
Dance Project
Jack Guidone Theater
Joy of Motion
Washington, D.C.
March 6, 2004
by George Jackson
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Writers |
Clare
Croft
George Jackson
Jean Battey Lewis
Sali Ann Kriegsman
Tehreema Mitha
Alexandra Tomalonis (Editor)
Lisa Traiger
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DanceView |
The
Autumn DanceView is out:
New York City Ballet's Spring 2003 season
reviewed by Gia Kourlas
An
interview with the Kirov Ballet's Daria Pavlenko
by Marc Haegeman
Reviews
of San Francisco Ballet (by Rita Felciano)
and Paris Opera Ballet (by Carol Pardo)
The
ballet tradition at the Metropolitan Opera (by Elaine Machleder)
Reports
from London (Jane Simpson) and the Bay Area (Rita Felciano).
DanceView
is available by subscription ONLY. Don't miss it. It's a good
read. Black and white, 48 pages, no ads. Subscribe
today!
DanceView
is published quarterly (January, April, July and October)
in Washington, D.C. Address all correspondence to:
DanceView
P.O. Box 34435
Washington, D.C. 20043
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